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The winner of The Moth Art Prize 2017

Bradley Wood is a figurative painter born in Regina, Saskatchewan, Canada. He has a BFA from the Rhode Island School of Design, and he studied art and design at Art Center in Montreux, Switzerland and new media and installation at CalArts in Valencia, California. He has had solo exhibitions and was a Pulse Prize nominee at Pulse Art Fairs in New York City and Miami. In 2016, Bradley had his second solo show with Angell Gallery, Toronto, and his work featured in the acclaimed ‘Human Condition’ exhibition in an abandoned hospital in Los Angeles. Solo presentations at VOLTA, New York and Art Central, Hong Kong followed in 2017. Bradley currently lives and works just outside New York City.

You can read about him in this article 'Eccentric portraits set in luscious New York interiors win Moth Art Prize' in the Irish Times

‘I am so grateful to the folks at The Moth for awarding me this prize,’ says Wood. ‘I think getting out of New York for a bit will be healthy. My exhibition schedule has been really hectic over the past few years so I’m definitely looking forward to the solitude. It will be an amazing and much-needed time to regroup, reflect on my work and tinker with some new ideas. I’ve actually always been quite affected by my environment, probably more than I realize. So it’ll be really interesting to absorb the area and see how it affects my work there.’

Work by Michael Wann was also highly commended.


The winner of The Moth Art Prize 2016

David Piddock was born in the Midlands in the UK, studied Fine Art at the Royal Academy Schools in the mid eighties and has been in London ever since. Now in mid-career, his work is widely collected and in public collections including the Museum of London. He is represented by Adam Gallery and has just completed an exhibition at the Muse Gallery, which featured almost all the work submitted to the Moth Art Prize.

You can read about him in this article in the Irish Times
 
‘A lot of credit should go to The Moth, always wonderfully idiosyncratic and beautifully designed, for launching the prize and responding to figurative painting, largely ignored by the contemporary art scene,’ says Piddock. ‘We have nothing like it in the UK.’ 

Work by Carrie Marill and Sarah Leonard was also highly commended.