The Moth Magazine

	Issue 39 Winter 2019 Any Weather by Leeanne Quinn Running Man, Sailing Boat, Skull and Crossbones by Ana Soria Pheasant by Mark Lawlor Pretty Shapes by John Wall Barger Ode to the Non-Velveteen Rabbits by Tom Paine You Are Here: an interview with Simon Armitage Not Said by Aingeala Finn Seed by Abegail Morley Genealogy by Mark Wynne The Man Who Wrote the Future by Eamonn Colfer in grand canal dock by Alicia Byrne Keane Tequila and Orange: an interview with Wendy Erskine Meningitis by Stuart Pickford Grief, it’s not what it used to be by Paul Stephenson A Small Hotel by Georgina Titmus Severance by Robin Houghton Five to Midnight by Branwell Kent Toymaker by Bruce McRae Creeping Vines / Weeping Willows by Gabriel Smith Belated Apology to my Body by Cheryl Pearson Single-Celled Organism by Corey Hill Moses by Robert Hirschfield A Door in Your Chest by Polly Buckingham Featuring artwork by Geraldine Swayne, Emerson Schreiner, William Robertson and David Keogan Cover by Geraldine Swayne
	Issue 38 Autumn 2019 Some Thanks by James Giddings Journeys by Conor Crummey Dolphin Cafe by Bryony Littlefair Just Me Taking Down Notes: an interview with Gary Shteyngart The Idea of Pelicans at Key West by David Keplinger Garden of Beatitudes by Colette Colfer What I Know about Swedes by M. V. Williams Lullaby by Beth Booth Roots by B. S. Cummings Light’s Tricks by Sharon Black The Egg by Patricia Traxler The History of Home by Laura Potts Sex Ed on the Dairy Farm by Arlo Voorhees It Happened by Robert Estes Sky by Jan Napier Rat Traps by Kieran Moriarty The Humancules by Stephanie Limb Cardiac Arrest by Paul Kessell Survival Skills by Maria Stadnicka Difficult Fruit by Damen O’Brien These Doors were Opened: an interview with Stephen Sexton The Life Cycle of the Penis by Will Walker Featuring artwork by Sinead Aldridge, Georgina Gratrix, Golucho and Will Govan Cover by Vincent Xeus
	Issue 37 Summer 2019 Girlhood by Jenny Irish A Long Dark Joke by Peter J. Walsh Driving up the Interstate After Reading Denise Levertov by Mitchell Untch Differently by David Cameron Oak Song by Justin Quinn Killing the Self That Made It: an interview with Joshua Cohen Gorilla by Michael Eden Reynolds Care Home by Jackie Martin Men with Tails by Mark Russell Danny, who Collects the Rubbish by Patrick Toland Cromer by Chris Emery All Religions are Hypotheses by Niels Hav Girl in Canary Yellow Dress by Rebecca O’Connor A Swan Walks into a Bar by Elizabeth Gold The Feeney Triptych by Ian Heffernan Apologia by Greg Geis All Suffering Soon to End by Geoff Wyss Emergency by Toti O’Brien Head Torch by Elizabeth Barrett Fable by Sneha Madhavan-Reese It’s Not Yours Any More: an interview with Nicole Flattery Ecosystem by Mhairi Owens Crosby Souvenir by Maria Isakova Bennett Family Gathering by Rochelle Jewel Shapiro Freya by Meabh Ann McCrossan Divorceville by Scott Bradfield The Moth Poetry Prize 2019 Featuring artwork by Geraldine Swayne, Lee Maelzer and Mehmet Dere Cover by Daniela Uhlig
	Issue 36 Spring 2019 Christmas Work Detail, Samos by Steven Heighton Man of Salad by Chris Newlove Horton The Sinking of the Belgrano by Michael Sharp Body Language by Susan Millar DuMars Tomato Sandwiches by Michele Smart Strangers by Andrew Szilvasy Night by Adam Chiles Magical Thinking by David Briggs Birds of America: Plate 50, Robin by Robert Gibb Sestina by Margaret Park Haas Into Something Stranger: an interview with Helen Oyeyemi Dead Drift by Jude Nutter Sweetness by Lauren Mackenzie Octonaut by David Stavanger April Escape by Judith Hoyer Forbidden by Sharon Black Automatic Delete Function: an interview with Caoilinn Hughes Sahara by Martin Jago Even Angels Will Fall by Rachel Coventry Milk-Chocolate Brown Fox by Mark Lawlor Redwood // Pacific by George Neame Tom’s Wedding by Susan Sanford Blades Vesper Sparrow on a Fence Post by Lisa Bickmore Sweet Autumn by Laura Potts The Moth Short Story Prize 2019 Featuring artwork by Marta Grassi, Zoey Frank and Juan Ruiz Cover by Victor Man 2010; 2011; 2012; 2013; 2014; 2015; 2016, 2017, 2018, 2019; 2020; 2021

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